paper · GR·574

Daido Moriyama, Farewell Photography

Grain, blur and flare pushed until the photograph nearly gives way
Specimen · 2026-10-16 paper · K07
Daido Moriyama, Farewell Photography, plate 1
N. ATLANTIC · 2024
Daido Moriyama, Farewell Photography, plate 2
N. ATLANTIC · 2024
Daido Moriyama, Farewell Photography, plate 3
N. ATLANTIC · 2024
Daido Moriyama, Farewell Photography, plate 4
N. ATLANTIC · 2024
Daido Moriyama, Farewell Photography, plate 5
N. ATLANTIC · 2024
Daido Moriyama, Farewell Photography, plate 6
N. ATLANTIC · 2024
Daido Moriyama, Farewell Photography, plate 7
N. ATLANTIC · 2024

A grin fills two pages, cropped so tight it stops being a face. Farewell Photography works that way throughout: grain, blur, flare and smeared shapes, the camera pushed until the picture nearly falls apart into silver and paper.

Daido Moriyama published it in 1972 through Shashin Hyoron-sha as his third monograph. The 2019 reprint from bookshop M and Getsuyosha, designed by Satoshi Machiguchi with Moriyama, keeps every photograph at its original size across 280 pages, in an edition of 1000. A companion magazine adds a retrospective essay and the first English translation of his 1972 conversation with Takuma Nakahira.

The Tokyo photobook shop shashasha has sold signed copies of the reprint, and Le Plac’Art Photo has offered a signed 1972 original.

Source: shashasha · https://www.shashasha.co/en/book/farwell-photography
Tonal range bin K00 → K99
000816243240485664728088
Nearby on the ramp
paper
Palette3 steps
K07
K07 · paper
#EDEDED
PMS Cool Gray 1 C
R237 G237 B237
K28
K28 · nickel
#B4BABB
PMS Cool Gray 4 C
R180 G186 B187
K31
K31 · dove
#ACB2B3
PMS Cool Gray 4 C
R172 G178 B179
Dossier5 rows
First edition Shashin Hyoron-sha, 1972
Reprint bookshop M and Getsuyosha, 2019
Design Satoshi Machiguchi with Daido Moriyama
Format Hardcover, 280 pages, 314 x 228 x 34 mm
Edition 1000 copies
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